diff --git a/ChangeLog.old b/ChangeLog.old index a2015cb50..eace201c6 100644 --- a/ChangeLog.old +++ b/ChangeLog.old @@ -1172,7 +1172,7 @@ made 0.4.0 release * CMakeLists.txt: - - include all neccessary DLLs in win64 build + - include all necessary DLLs in win64 build - fix versioning for CPack if no VERSION_SUFFIX is set * plugins/sid/sid_instrument.cpp: @@ -1787,7 +1787,7 @@ * src/core/sample_record_handle.cpp: * src/tracks/instrument_track.cpp: removed obsolete instrument-parallelization support as this is handled - much better by worker threads and adds unneccessary complexity + much better by worker threads and adds unnecessary complexity * cmake/modules/FindPCHSupport.cmake: * INSTALL: @@ -2594,7 +2594,7 @@ * src/gui/track_container_view.cpp: * src/core/track.cpp: disabled undo/redo of track/TCO addition/removal as not mature yet and - causes unneccessary crashes (closes #2014439, #2100407) + causes unnecessary crashes (closes #2014439, #2100407) * data/projects/cool_songs/Skiessi-TurningPoint.mmpz: * data/projects/cool_songs/Skiessi-RandomProjectNumber14253.mmpz: @@ -3360,7 +3360,7 @@ fixed messages * src/core/config_mgr.cpp: - add trailing slashes to paths where neccessary (closes #2056353) + add trailing slashes to paths where necessary (closes #2056353) * data/locale/de.qm: * data/locale/de.ts: @@ -13082,7 +13082,7 @@ double-clicking them * src/tracks/pattern.cpp: - when loading pattern, check type afterwards and correct if neccessary + when loading pattern, check type afterwards and correct if necessary 2006-10-09 Mikael Freeman @@ -13794,7 +13794,7 @@ * Makefile.cvs: small makefile to be run before configure for creating/copying all - neccessary files + necessary files * config.sub: * config.guess: @@ -14955,7 +14955,7 @@ - in vibed::loadSettings(): - simplified loading of wave-shape - delete base64-decoded data at the end - - commented out code in destructor as it is not neccessary - to be + - commented out code in destructor as it is not necessary - to be removed someday * include/base64.h: @@ -15454,7 +15454,7 @@ * src/widgets/automatable_button.cpp: * src/widgets/knob.cpp: added second template-parameter to automatableObject which specifies - the type to be used for internal calculations (neccessary for working + the type to be used for internal calculations (necessary for working undo/redo-implementation for bool-objects like buttons) * include/led_checkbox.h: @@ -15985,7 +15985,7 @@ * include/pattern.h: * src/tracks/pattern.cpp: - only repaint if neccessary, otherwise just paint the pixmap we painted + only repaint if necessary, otherwise just paint the pixmap we painted before * include/bb_editor.h: @@ -16326,7 +16326,7 @@ * include/tool_button.h: * src/widgets/tool_button.cpp: - catch toggle-signals to emit clicked()-signal which is neccessary if a + catch toggle-signals to emit clicked()-signal which is necessary if a button is checked using setChecked()-method and not by the user - fixes some bugs with piano-roll @@ -16513,7 +16513,7 @@ classify files with extension "flac" as samples * src/widgets/tab_widget.cpp: - hide all other tabs when changing active tab - neccessary for working + hide all other tabs when changing active tab - necessary for working with Qt 4.1 2005-12-20 Danny McRae @@ -16721,7 +16721,7 @@ * include/timeline.h: * src/core/timeline.cpp: use timer for periodically screen-updates - locking QApplication-mutex - isn't neccessary anymore which makes LMMS not to hang when creating + isn't necessary anymore which makes LMMS not to hang when creating new song while playing etc. * src/core/piano_roll.cpp: @@ -16930,7 +16930,7 @@ * include/qxembed.h: * src/widgets/qxembed.cpp: - added QXEmbed-widget which is neccessary for embedding VST-plugin + added QXEmbed-widget which is necessary for embedding VST-plugin 2005-11-27 Tobias Doerffel @@ -16998,7 +16998,7 @@ * include/midi_client.h: - added method applyPortMode() for making MIDI-subsystem able to get - known of port-mode changes which is neccessary if they have REAL + known of port-mode changes which is necessary if they have REAL ports like ALSA-seq. has - renamed validatePortName() to applyPortName() and made it non-pure virtual @@ -17518,7 +17518,7 @@ * src/core/track_container.cpp: added parameter _complete_update to trackContainer::realignTracks() - to be able to hide and show all tracks which is neccessary e.g. + to be able to hide and show all tracks which is necessary e.g. after having changed pixels-per-tact-property -> zooming in song-editor works now well @@ -17665,7 +17665,7 @@ * src/lib/mmp.cpp: if saving preset, check whether file-name contains suffix ".cs.xml" - and add it if neccessary + and add it if necessary * include/midi_alsa_raw.h: * src/midi/midi_alsa_raw.cpp: @@ -18325,7 +18325,7 @@ logo originally had been made with Inkscape 0.39) * src/widgets/project_notes.cpp: - removed unneccessary name-strings for QActions + removed unnecessary name-strings for QActions * resources/project_notes.png: replaced 16x16-icon with 22x22-icon to provide big enough icon for @@ -18387,7 +18387,7 @@ performed at the moment and introduced m_action, indicating one of the actions defined in (also new) enum editActions - replaced m_startTone and m_startOctave with one variable m_startKey, - which makes a lot of code unneccessary + which makes a lot of code unnecessary - rewrote loops using note-vectors to use iterators instead of indices and vector::size() - renamed m_evolutionHeight to m_notesEditHeight diff --git a/data/locale/ca.ts b/data/locale/ca.ts index 4bceecb00..102f49c0f 100644 --- a/data/locale/ca.ts +++ b/data/locale/ca.ts @@ -1575,7 +1575,7 @@ Per favor, assegura't que tens permís d'escriptura per al fitxer i el OBJECTIU - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always neccessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! @@ -3289,7 +3289,7 @@ p, li { white-space: pre-wrap; } - Click here and select-mode will be activated. In this mode you can select values. This is neccessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. + Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. @@ -6361,7 +6361,7 @@ El LED a la cantonada dreta baixa de l'editor de forma d'ona determina Corda - The String selector is used to choose which string the controls are editting. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. El selector String s'usa per a escollir quina corda estan editant els controls. Un instrument Vibed pot tenir fins a nou cordes vibrants independents. El LED a la cantonada dreta baixa de l'editor de forma d'ona indica si la corda seleccionada està activa. diff --git a/data/locale/cs.ts b/data/locale/cs.ts index f900de32d..330350fff 100644 --- a/data/locale/cs.ts +++ b/data/locale/cs.ts @@ -1575,7 +1575,7 @@ Přesvědčte se prosím, že máte právo zápisu do tohoto souboru a příslu CÍL - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always neccessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! @@ -3290,7 +3290,7 @@ p, li { white-space: pre-wrap; } Klikněte zde, pokud chcete aktivovat režim mazání. V tomto režimu lze mazat jednotlivé hodnoty. Pro aktivaci můžete využít též klávesové zkratky Shift+E. - Click here and select-mode will be activated. In this mode you can select values. This is neccessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. + Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. Klikněte zde, pokud chcete aktivovat režim výběru. Tento režimu umožňuje hodnoty vybírat a je nezbytný jestliže hodnoty chcete vyjmout, kopírovat, vložit, smazat nebo přesunout. Pro aktivaci můžete využít též klávesové zkratky Shift+S. @@ -6290,7 +6290,7 @@ Jestliže tento plugin funguje v Linuxu v jiném VST softwaru, kontaktujte pros Struna - The String selector is used to choose which string the controls are editting. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Volič strun se užívá k výběru struny, které bude upravována. Nástroj Vibed může obsahovat maximálně devět nezávisle vibrujících strun. LED v pravém dolním rohu editoru tvaru vlny indikuje zda je vybraná struna aktivní. diff --git a/data/locale/de.ts b/data/locale/de.ts index 78da0edab..eea900852 100644 --- a/data/locale/de.ts +++ b/data/locale/de.ts @@ -1575,7 +1575,7 @@ Bitte stellen Sie sicher, dass Sie Schreibrechte auf diese Datei und das Verzeic ZIEL - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always neccessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! Diese Tabs enthalten Hüllkurven. Diese sind sehr wichtig, um einen Klang zu verändern, insbesondere bei der substraktiven Synthese. Wenn Sie zum Beispiel eine Lautstärke-Hüllkurve haben, können Sie festlegen, wann der Klang welchen Lautstärke-Pegel haben soll. Vielleicht wollen Sie ein weiches Streichinstrument erstellen. Dann muss ihr Sound sehr sanft ein- und ausgeblendet werden. Das kann man ganz einfach erreichen, indem man eine große Anschwell(attack)- und Ausklingzeit (release) einstellt. Mit anderen Hüllkurven, wie Balance, Kennfrequenz des benutzten Filters usw., ist es genau das Gleiche. Probieren Sie einfach ein bisschen herum! Mit ein paar Hüllkurven kann man aus einer Sägezahn-Welle wirklich coole Klänge machen...! @@ -3290,7 +3290,7 @@ p, li { white-space: pre-wrap; } Klicken Sie hier, um den Radier-Modus zu aktivieren. In diesem Modus können Sie einzelne Werte löschen. Sie können auch 'Umschalt+E' auf Ihrer Tastatur drücken, um diesen Modus zu aktivieren. - Click here and select-mode will be activated. In this mode you can select values. This is neccessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. + Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. Klicken Sie hier, um den Auswahl-Modus zu aktivieren. In diesem Modus können Sie Werte markieren. Das ist nötig, wenn Sie (mehrere) Werte ausschneiden, kopieren, einfügen, löschen oder verschieben wollen. Sie können auch 'Umschalt+S' auf Ihrer Tastatur drücken, um diesen Modus zu aktivieren. @@ -6351,7 +6351,7 @@ Die LED rechts unterhalb der Wellenform gibt an, ob die Saite aktiviert ist.Saite - The String selector is used to choose which string the controls are editting. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Der Saiten-Wähler bestimmt die derzeit bearbeitete Saite. Ein Vibed-Instrument kann aus bis zu neun voneinander unabhängig schwingenden Saiten bestehen. Die LED in der Ecke rechts unterhalb der Wellenform gibt an, ob die gewählte Saite aktiv ist. diff --git a/data/locale/en.ts b/data/locale/en.ts index f0a8dc935..c9d6c9d03 100644 --- a/data/locale/en.ts +++ b/data/locale/en.ts @@ -1574,7 +1574,7 @@ Please make sure you have write-permission to the file and the directory contain - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always neccessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! @@ -3285,7 +3285,7 @@ p, li { white-space: pre-wrap; } - Click here and select-mode will be activated. In this mode you can select values. This is neccessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. + Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. @@ -6323,7 +6323,7 @@ The LED in the lower right corner of the waveform editor determines whether the - The String selector is used to choose which string the controls are editting. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. diff --git a/data/locale/es.ts b/data/locale/es.ts index d662f99e0..b13026fc0 100644 --- a/data/locale/es.ts +++ b/data/locale/es.ts @@ -1574,7 +1574,7 @@ Please make sure you have write-permission to the file and the directory contain - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always neccessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! @@ -3286,7 +3286,7 @@ p, li { white-space: pre-wrap; } - Click here and select-mode will be activated. In this mode you can select values. This is neccessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. + Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. @@ -6324,7 +6324,7 @@ The LED in the lower right corner of the waveform editor determines whether the - The String selector is used to choose which string the controls are editting. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. diff --git a/data/locale/fr.ts b/data/locale/fr.ts index 4b88aeb75..58dc61147 100644 --- a/data/locale/fr.ts +++ b/data/locale/fr.ts @@ -1575,7 +1575,7 @@ Assurez-vous d'avoir les droits d'accès en écriture au fichier et au - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always neccessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! @@ -3286,7 +3286,7 @@ p, li { white-space: pre-wrap; } - Click here and select-mode will be activated. In this mode you can select values. This is neccessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. + Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. @@ -6324,7 +6324,7 @@ The LED in the lower right corner of the waveform editor determines whether the - The String selector is used to choose which string the controls are editting. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. diff --git a/data/locale/ir.ts b/data/locale/ir.ts index 1ec177519..90cdc07d4 100644 --- a/data/locale/ir.ts +++ b/data/locale/ir.ts @@ -1574,7 +1574,7 @@ Please make sure you have write-permission to the file and the directory contain - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always neccessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! @@ -3285,7 +3285,7 @@ p, li { white-space: pre-wrap; } - Click here and select-mode will be activated. In this mode you can select values. This is neccessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. + Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. @@ -6323,7 +6323,7 @@ The LED in the lower right corner of the waveform editor determines whether the - The String selector is used to choose which string the controls are editting. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. diff --git a/data/locale/it.ts b/data/locale/it.ts index 3205e4674..034434deb 100644 --- a/data/locale/it.ts +++ b/data/locale/it.ts @@ -1587,7 +1587,7 @@ Assicurarsi di avere i permessi in scrittura per il file e la directory contenen SCOPO - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always neccessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! Queste schede contengono envelopes. Sono molto importanti per modificare i suoni, senza contare che sono quasi sempre necessarie per la sintesi sottrattiva. Per esempio se si usa un envelope per il volume, si può impostare quando un suono avrà un certo volume. Si potrebbero voler creare archi dal suono morbido, allora il suono deve iniziare e finire in modo molto morbido; ciò si ottiene impostando tempi di attacco e di rilascio ampi. Lo stesso vale per le altre funzioni degli envelope, come il panning, la frequenza di taglio dei filtri e così via. Bisogna semplicemente giocarci un po'! Si possono ottenere suoni veramente interessanti a partire da un'onda a dente di sega usando soltanto qualche envelope...! @@ -3302,7 +3302,7 @@ p, li { white-space: pre-wrap; } Cliccando qui si attiva la modalità cancellazione. In questa modalità è possibile cancellare singoli valori. Questa modalità si attiva anche premendo la combinazione di tasti 'Shift+E'. - Click here and select-mode will be activated. In this mode you can select values. This is neccessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. + Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. Cliccando qui si attiva la modalità selezione. In questa modalità è possibile selezionare i valori. Questo è necessario per tagliare, copiare, incollare o spostare valori. Questa modalità si attiva anche premendo la combinazione di tasti 'Shift+S'. @@ -6375,7 +6375,7 @@ Il LED nell'angolo in basso a destra sull'editor della forma d'on Corda - The String selector is used to choose which string the controls are editting. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Il selettore della Corda serve per scegliere su quale corda hanno effetto i controlli. Uno strumento Vibed può contenere fino a nove corde che indipendenti. Il LED nell'angolo in basso a destra dell'editor della forma d'onda indica se la corda è attiva. diff --git a/data/locale/ja.ts b/data/locale/ja.ts index c10bb3f4f..772d73b7a 100644 --- a/data/locale/ja.ts +++ b/data/locale/ja.ts @@ -1588,7 +1588,7 @@ Please make sure you have write-permission to the file and the directory contain - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always neccessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! これらのタブにはエンペロープが含まれてます。エンベロープは音を変更するの大変重要です。エンベロープはサブストラクティブな合成をするときはほとんどいつも必要です。たとえばボリウムエンベロープの場合、音が決まった音量になる時間をセットできます。ソフトストリングを作りたいならフェードインフェードアウトを非常にソフトにする必要があります。それはアタックタイムとリリースタイムを長くすることで実現できます。パンニング、フィルターのカットオフ周波数といったほかのエンベロープを制御できるものについても事情はいっしょです。これでちょっと遊んでみてください!　のこぎり歯にいくつかのエンベロープを使うだけで実にクールなサウンドを作ることこできます。 @@ -3306,7 +3306,7 @@ p, li { white-space: pre-wrap; } クリックすると消去モードをONにします。消去モードではひとつの値を消去できます。 'Shift+E' をおしても消去モードをONにできます。 - Click here and select-mode will be activated. In this mode you can select values. This is neccessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. + Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. クリックすると選択モードをONにします。選択モードではいくつかの値を選択できます。このモードはいくつかの値をカット・コピー・ペースト・消去・移動するときに必要です。 'Shift+S' をおしても選択ーモードをONにできます。 @@ -6377,7 +6377,7 @@ The LED in the lower right corner of the waveform editor determines whether the - The String selector is used to choose which string the controls are editting. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. ストリングセレクタはコントローラーが編集しているストリングを選ぶのにつかいます。Vibed 楽器は 9本までの独立した振動してるストリングを含んでいます。波形エディタの右下すみのLEDはどのストリングがアクティブかを示しています。 diff --git a/data/locale/ko.ts b/data/locale/ko.ts index 0454d1e0c..8c93db2c5 100644 --- a/data/locale/ko.ts +++ b/data/locale/ko.ts @@ -1574,7 +1574,7 @@ Please make sure you have write-permission to the file and the directory contain - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always neccessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! @@ -3287,7 +3287,7 @@ p, li { white-space: pre-wrap; } - Click here and select-mode will be activated. In this mode you can select values. This is neccessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. + Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. @@ -6328,7 +6328,7 @@ The LED in the lower right corner of the waveform editor determines whether the - The String selector is used to choose which string the controls are editting. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. diff --git a/data/locale/nl.ts b/data/locale/nl.ts index 39ce871cf..57d6ab6d2 100644 --- a/data/locale/nl.ts +++ b/data/locale/nl.ts @@ -1574,7 +1574,7 @@ Please make sure you have write-permission to the file and the directory contain DOEL - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always neccessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! @@ -3286,7 +3286,7 @@ p, li { white-space: pre-wrap; } - Click here and select-mode will be activated. In this mode you can select values. This is neccessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. + Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. @@ -6349,7 +6349,7 @@ De LED in de rechter benedenhoek van de golfvorm bewerker geeft aan of de snaar - The String selector is used to choose which string the controls are editting. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. De snaar-kiezer word gebruikt voor het kiezen van de snar welke bewerkt word. Een Vibed instrument kan tot 9 individueel trillende snaren bevatten. De LED in de rechter benedenhoek van de golfvorm bewerker geeft aan of de geselecteerde snaar actief is. diff --git a/data/locale/pt_br.ts b/data/locale/pt_br.ts index 3517aad21..13cb1ca12 100644 --- a/data/locale/pt_br.ts +++ b/data/locale/pt_br.ts @@ -1575,7 +1575,7 @@ Por favor certifique-se que você tem permissão para gravação no arquivo e se ALVO - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always neccessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! @@ -3287,7 +3287,7 @@ p, li { white-space: pre-wrap; } - Click here and select-mode will be activated. In this mode you can select values. This is neccessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. + Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. @@ -6326,7 +6326,7 @@ The LED in the lower right corner of the waveform editor determines whether the - The String selector is used to choose which string the controls are editting. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. diff --git a/data/locale/ru.ts b/data/locale/ru.ts index c2158eb62..83a8ecd95 100644 --- a/data/locale/ru.ts +++ b/data/locale/ru.ts @@ -1588,7 +1588,7 @@ Please make sure you have write-permission to the file and the directory contain ХАРАКТЕРИСТИКА - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always neccessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! Эта вкладка позволяет вам настроить обложки. Они очень важны для настройки звучания. Например, с помощью обложки громкости вы можете задать зависимость громкости звучания от времени. Если вам понадобится эмулировать мягкие струнные, просто задайте большие времена нарастания и исчезновения звука. С помощью обложек и низкочастотного генератора (LFO) вы в несколько щелчков мыши сможете создать просто невероятные звуки! @@ -3307,7 +3307,7 @@ p, li { white-space: pre-wrap; } Для включения этого режима можно использовать комбинацию клавиш Shift+E. - Click here and select-mode will be activated. In this mode you can select values. This is neccessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. + Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. При нажатии на эту кнопку активируется режим выбора нот. В этом режиме вы можете выбирать ноты для последующих действий. Это необходимо, если вы хотите вырезать, копировать, вставлять или перемещать сразу несколько нот. Для включения этого режима можно использовать комбинацию клавиш Shift+S. @@ -6387,7 +6387,7 @@ The LED in the lower right corner of the waveform editor determines whether the Струна - The String selector is used to choose which string the controls are editting. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. Переключатель струн позволяет выбрать струну, чьи свойства редактируются. Инструмент Vibed содержит до девяти независимо звучащих струн, индикатор в левом нижнем углу показывает, активна ли текущая струна (т. е. будет ли она слышна). diff --git a/data/locale/sv.ts b/data/locale/sv.ts index fdce93019..8ce2d1656 100644 --- a/data/locale/sv.ts +++ b/data/locale/sv.ts @@ -1574,7 +1574,7 @@ Please make sure you have write-permission to the file and the directory contain MÅL - These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always neccessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! + These tabs contain envelopes. They're very important for modifying a sound, in that they are almost always necessary for substractive synthesis. For example if you have a volume envelope, you can set when the sound should have a specific volume. If you want to create some soft strings then your sound has to fade in and out very softly. This can be done by setting large attack and release times. It's the same for other envelope targets like panning, cutoff frequency for the used filter and so on. Just monkey around with it! You can really make cool sounds out of a saw-wave with just some envelopes...! @@ -3285,7 +3285,7 @@ p, li { white-space: pre-wrap; } - Click here and select-mode will be activated. In this mode you can select values. This is neccessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. + Click here and select-mode will be activated. In this mode you can select values. This is necessary if you want to cut, copy, paste, delete, or move values. You can also press 'Shift+S' on your keyboard to activate this mode. @@ -6326,7 +6326,7 @@ The LED in the lower right corner of the waveform editor determines whether the - The String selector is used to choose which string the controls are editting. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. + The String selector is used to choose which string the controls are editing. A Vibed instrument can contain up to nine independently vibrating strings. The LED in the lower right corner of the waveform editor indicates whether the selected string is active. diff --git a/include/AudioOutputContext.h b/include/AudioOutputContext.h index 8bd57ac38..5ed93c176 100644 --- a/include/AudioOutputContext.h +++ b/include/AudioOutputContext.h @@ -193,7 +193,7 @@ public: * * When working with buffer sizes greater than the default buffer size, one * big output buffer is still splitted into smaller chunks. This is - * especially neccessary for automation which takes place once a buffer + * especially necessary for automation which takes place once a buffer * period. Transitions would be anything else but smooth when adjusting a * control just 20 times per second. BufferFifo handles the queueing of * rendered buffers. */ diff --git a/include/MidiClient.h b/include/MidiClient.h index 02cca11b6..e92142b97 100644 --- a/include/MidiClient.h +++ b/include/MidiClient.h @@ -172,7 +172,7 @@ private: const MidiPort * _port ); // small helper function returning length of a certain event - this - // is neccessary for parsing raw-MIDI-data + // is necessary for parsing raw-MIDI-data static Uint8 eventLength( const Uint8 _event ); diff --git a/include/track.h b/include/track.h index 58d623744..6f5a6fc8e 100644 --- a/include/track.h +++ b/include/track.h @@ -1,5 +1,5 @@ /* - * track.h - declaration of classes concerning tracks -> neccessary for all + * track.h - declaration of classes concerning tracks -> necessary for all * track-like objects (beat/bassline, sample-track...) * * Copyright (c) 2004-2009 Tobias Doerffel diff --git a/lmms.1 b/lmms.1 index b4a5deb3d..3e7955911 100644 --- a/lmms.1 +++ b/lmms.1 @@ -55,7 +55,7 @@ Specify interpolation method - possible values are \fIlinear\fP, \fIsincfastest\ .IP "\fB\-i, --interpolation\fP \fImethod\fP Specify interpolation method - possible values are \fIlinear\fP, \fIsincfastest\fP (default), \fIsincmedium\fP, \fIsincbest\fP .IP "\fB\-x, --oversampling\fP \fIvalue\fP -Specify oversampling, posible values: 1, 2 (default), 4, 8 +Specify oversampling, possible values: 1, 2 (default), 4, 8 .IP "\fB\-u, --upgrade\fP \fIin\fP \fIout\fP Upgrade file \fIin\fP and save as \fIout\fP .IP "\fB\-d, --dump\fP \fIin\fP diff --git a/plugins/audio_file_processor/audio_file_processor.cpp b/plugins/audio_file_processor/audio_file_processor.cpp index 4ab69c3f0..45beff8db 100644 --- a/plugins/audio_file_processor/audio_file_processor.cpp +++ b/plugins/audio_file_processor/audio_file_processor.cpp @@ -486,7 +486,7 @@ void AudioFileProcessorView::modelChanged() extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model *, void * _data ) { return new audioFileProcessor( diff --git a/plugins/bass_booster/bass_booster.cpp b/plugins/bass_booster/bass_booster.cpp index 1388126d2..b6a765f96 100644 --- a/plugins/bass_booster/bass_booster.cpp +++ b/plugins/bass_booster/bass_booster.cpp @@ -101,7 +101,7 @@ bool bassBoosterEffect::processAudioBuffer( sampleFrame * _buf, extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model * _parent, void * _data ) { return( new bassBoosterEffect( _parent, diff --git a/plugins/bit_invader/bit_invader.cpp b/plugins/bit_invader/bit_invader.cpp index c8c8e2f1a..e679c6e73 100644 --- a/plugins/bit_invader/bit_invader.cpp +++ b/plugins/bit_invader/bit_invader.cpp @@ -575,7 +575,7 @@ void bitInvaderView::normalizeToggled( bool value ) extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model *, void * _data ) { return( new bitInvader( static_cast( _data ) ) ); diff --git a/plugins/flp_import/FlpImport.cpp b/plugins/flp_import/FlpImport.cpp index a4672511f..0ea2b5861 100644 --- a/plugins/flp_import/FlpImport.cpp +++ b/plugins/flp_import/FlpImport.cpp @@ -2031,7 +2031,7 @@ void FlpImport::processPluginParams( FL_Channel * _ch ) extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model *, void * _data ) { return new FlpImport( QString::fromUtf8( diff --git a/plugins/kicker/kicker.cpp b/plugins/kicker/kicker.cpp index 1293858fd..c800b24cf 100644 --- a/plugins/kicker/kicker.cpp +++ b/plugins/kicker/kicker.cpp @@ -253,7 +253,7 @@ void kickerInstrumentView::modelChanged() extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model *, void * _data ) { return new kickerInstrument( static_cast( _data ) ); diff --git a/plugins/ladspa_browser/ladspa_browser.cpp b/plugins/ladspa_browser/ladspa_browser.cpp index be334b0ad..442edfdf8 100644 --- a/plugins/ladspa_browser/ladspa_browser.cpp +++ b/plugins/ladspa_browser/ladspa_browser.cpp @@ -60,7 +60,7 @@ Plugin::Descriptor PLUGIN_EXPORT ladspabrowser_plugin_descriptor = } ; -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model * _parent, void * _data ) { return new ladspaBrowser; diff --git a/plugins/ladspa_effect/LadspaEffect.cpp b/plugins/ladspa_effect/LadspaEffect.cpp index 5dbff0ff6..86e6efafd 100644 --- a/plugins/ladspa_effect/LadspaEffect.cpp +++ b/plugins/ladspa_effect/LadspaEffect.cpp @@ -577,7 +577,7 @@ sample_rate_t LadspaEffect::maxSamplerate( const QString & _name ) extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model * _parent, void * _data ) { return new LadspaEffect( _parent, diff --git a/plugins/lb302/lb302.cpp b/plugins/lb302/lb302.cpp index 5e231413b..5097a3d7d 100644 --- a/plugins/lb302/lb302.cpp +++ b/plugins/lb302/lb302.cpp @@ -977,7 +977,7 @@ void lb302SynthView::modelChanged() extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model *, void * _data ) { diff --git a/plugins/lb303/lb303.cpp b/plugins/lb303/lb303.cpp index 5c43aff37..269b53393 100644 --- a/plugins/lb303/lb303.cpp +++ b/plugins/lb303/lb303.cpp @@ -829,7 +829,7 @@ void lb303SynthView::modelChanged() extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model *, void * _data ) { diff --git a/plugins/lv2_browser/lv2_browser.cpp b/plugins/lv2_browser/lv2_browser.cpp index 34e45e686..71e2c1062 100644 --- a/plugins/lv2_browser/lv2_browser.cpp +++ b/plugins/lv2_browser/lv2_browser.cpp @@ -59,7 +59,7 @@ Plugin::Descriptor PLUGIN_EXPORT lv2browser_plugin_descriptor = } ; -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model * _parent, void * _data ) { return new lv2Browser; diff --git a/plugins/midi_import/MidiImport.cpp b/plugins/midi_import/MidiImport.cpp index f2e62b058..375920ca9 100644 --- a/plugins/midi_import/MidiImport.cpp +++ b/plugins/midi_import/MidiImport.cpp @@ -569,7 +569,7 @@ void MidiImport::error() extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model *, void * _data ) { return new MidiImport( QString::fromUtf8( diff --git a/plugins/organic/organic.cpp b/plugins/organic/organic.cpp index 48d254334..e3e3d7c1b 100644 --- a/plugins/organic/organic.cpp +++ b/plugins/organic/organic.cpp @@ -563,7 +563,7 @@ void OscillatorObject::updateDetuning() extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model *, void * _data ) { return( new organicInstrument( static_cast( _data ) ) ); diff --git a/plugins/papu/papu_instrument.cpp b/plugins/papu/papu_instrument.cpp index a5c8b0f9f..d49807d2a 100644 --- a/plugins/papu/papu_instrument.cpp +++ b/plugins/papu/papu_instrument.cpp @@ -732,7 +732,7 @@ void papuInstrumentView::modelChanged() extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model *, void * _data ) { return( new papuInstrument( diff --git a/plugins/peak_controller_effect/peak_controller_effect.cpp b/plugins/peak_controller_effect/peak_controller_effect.cpp index b12177956..9ab9b0cdc 100644 --- a/plugins/peak_controller_effect/peak_controller_effect.cpp +++ b/plugins/peak_controller_effect/peak_controller_effect.cpp @@ -148,7 +148,7 @@ bool PeakControllerEffect::processAudioBuffer( sampleFrame * _buf, extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model * _parent, void * _data ) { return new PeakControllerEffect( _parent, diff --git a/plugins/sf2_player/sf2_player.cpp b/plugins/sf2_player/sf2_player.cpp index 56479236d..8d36c6989 100644 --- a/plugins/sf2_player/sf2_player.cpp +++ b/plugins/sf2_player/sf2_player.cpp @@ -1106,7 +1106,7 @@ void sf2InstrumentView::showPatchDialog() extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * lmms_plugin_main( Model *, void * _data ) { return new sf2Instrument( static_cast( _data ) ); diff --git a/plugins/sid/sid_instrument.cpp b/plugins/sid/sid_instrument.cpp index 8769b9e0a..4a51a314d 100644 --- a/plugins/sid/sid_instrument.cpp +++ b/plugins/sid/sid_instrument.cpp @@ -815,7 +815,7 @@ void sidInstrumentView::modelChanged() extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model *, void * _data ) { return( new sidInstrument( diff --git a/plugins/spectrum_analyzer/spectrum_analyzer.cpp b/plugins/spectrum_analyzer/spectrum_analyzer.cpp index 7e3686d44..eb0c151a3 100644 --- a/plugins/spectrum_analyzer/spectrum_analyzer.cpp +++ b/plugins/spectrum_analyzer/spectrum_analyzer.cpp @@ -163,7 +163,7 @@ bool spectrumAnalyzer::processAudioBuffer( sampleFrame * _buf, extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model * _parent, void * _data ) { return( new spectrumAnalyzer( _parent, diff --git a/plugins/stereo_enhancer/stereo_enhancer.cpp b/plugins/stereo_enhancer/stereo_enhancer.cpp index 5b6b5386c..b9c75b3fe 100644 --- a/plugins/stereo_enhancer/stereo_enhancer.cpp +++ b/plugins/stereo_enhancer/stereo_enhancer.cpp @@ -163,7 +163,7 @@ void stereoEnhancerEffect::clearMyBuffer() extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model * _parent, void * _data ) { return( new stereoEnhancerEffect( _parent, diff --git a/plugins/stereo_matrix/stereo_matrix.cpp b/plugins/stereo_matrix/stereo_matrix.cpp index 246763eff..b484d99ae 100644 --- a/plugins/stereo_matrix/stereo_matrix.cpp +++ b/plugins/stereo_matrix/stereo_matrix.cpp @@ -112,7 +112,7 @@ bool stereoMatrixEffect::processAudioBuffer( sampleFrame * _buf, extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model * _parent, void * _data ) { return( new stereoMatrixEffect( _parent, diff --git a/plugins/stk/mallets/mallets.cpp b/plugins/stk/mallets/mallets.cpp index d4d21222a..20b3b7c37 100644 --- a/plugins/stk/mallets/mallets.cpp +++ b/plugins/stk/mallets/mallets.cpp @@ -654,7 +654,7 @@ malletsSynth::malletsSynth( const StkFloat _pitch, extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * lmms_plugin_main( Model *, void * _data ) { return new malletsInstrument( static_cast( _data ) ); diff --git a/plugins/triple_oscillator/TripleOscillator.cpp b/plugins/triple_oscillator/TripleOscillator.cpp index c550a57fb..a025546cf 100644 --- a/plugins/triple_oscillator/TripleOscillator.cpp +++ b/plugins/triple_oscillator/TripleOscillator.cpp @@ -865,7 +865,7 @@ void TripleOscillatorView::modelChanged() extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model *, void * _data ) { return new TripleOscillator( static_cast( _data ) ); diff --git a/plugins/vestige/vestige.cpp b/plugins/vestige/vestige.cpp index 7970dedb7..d04ff3c94 100644 --- a/plugins/vestige/vestige.cpp +++ b/plugins/vestige/vestige.cpp @@ -453,7 +453,7 @@ void VestigeInstrumentView::paintEvent( QPaintEvent * ) extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * lmms_plugin_main( Model *, void * _data ) { return new vestigeInstrument( static_cast( _data ) ); diff --git a/plugins/vibed/vibed.cpp b/plugins/vibed/vibed.cpp index 29206f865..9ce83afb0 100644 --- a/plugins/vibed/vibed.cpp +++ b/plugins/vibed/vibed.cpp @@ -543,7 +543,7 @@ vibedView::vibedView( Instrument * _instrument, m_stringSelector->setAccessibleName( tr( "String" ) ); m_stringSelector->setWhatsThis( tr( "The String selector is used to choose which string the controls are " -"editting. A Vibed instrument can contain up to nine independently " +"editing. A Vibed instrument can contain up to nine independently " "vibrating strings. The LED in the lower right corner of the " "waveform editor indicates whether the selected string is active." ) ); @@ -779,7 +779,7 @@ void vibedView::displayHelp() extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model *, void * _data ) { return( new vibed( static_cast( _data ) ) ); diff --git a/plugins/vst_effect/VstEffect.cpp b/plugins/vst_effect/VstEffect.cpp index 02283851c..f228e6c19 100644 --- a/plugins/vst_effect/VstEffect.cpp +++ b/plugins/vst_effect/VstEffect.cpp @@ -174,7 +174,7 @@ void VstEffect::closePlugin() extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * lmms_plugin_main( Model * _parent, void * _data ) { return new VstEffect( _parent, diff --git a/plugins/zynaddsubfx/ChangeLog b/plugins/zynaddsubfx/ChangeLog index fc73cf1c4..0e30d8dad 100644 --- a/plugins/zynaddsubfx/ChangeLog +++ b/plugins/zynaddsubfx/ChangeLog @@ -94,7 +94,7 @@ Programul incepe sa fie controlabil de Interfata 02 Aug 2002 - Inlaturat o eroare stupida care facea ca sa se seteze valorile EnvelopeParams la -1 (scria din Master:: prea mult) 03 Aug 2002 - Terminata interfata pentru ADnoteParameters.GlobalPars - Adaugat inca un parametru la lfo (continous LFO) care faca ca LFO-ul sa nu inceapa la fiecare NoteOn + Adaugat inca un parametru la lfo (continuous LFO) care faca ca LFO-ul sa nu inceapa la fiecare NoteOn Corectat doua erori la ...[nvoice].AmpEnvelope si ...[nvoice].FreqEnvelope Scrisa interfata pentru ADnoteParameters.VoicePars (fara FM+OSCIL...) 04 Aug 2002 - Scrisa interfata cu FM (fara Oscil) @@ -680,8 +680,8 @@ - Corectata eroare care facea ca sa nu mearga MIDI - LANSAT PE INTERNET - VERSIUNEA (2.0.0pre2 VST) -------------------------------------------------------------------------------------------------- -13 Aug 2004 - Inceput sa scriu modurile continous si discrete la PADnote -14 Aug 2004 - Terminat modul continous la PADnote +13 Aug 2004 - Inceput sa scriu modurile continuous si discrete la PADnote +14 Aug 2004 - Terminat modul continuous la PADnote - Corectata o mica eroare la OscilGen care facea daca adaptive harmonics e activ si phase randomness>0 sa rezulte si aleatorism in amplitudinile armonicelor - Inceput sa scriu Presets/Clipboard (Clipboardul, in stadiu actual va putea copia doar parametrii folositi si nu cei dezactivati) - Merge partial partea de Copy in clipboard diff --git a/plugins/zynaddsubfx/ZynAddSubFx.cpp b/plugins/zynaddsubfx/ZynAddSubFx.cpp index b8a2e5906..72e769e9f 100644 --- a/plugins/zynaddsubfx/ZynAddSubFx.cpp +++ b/plugins/zynaddsubfx/ZynAddSubFx.cpp @@ -375,7 +375,7 @@ void ZynAddSubFxView::toggleUI() extern "C" { -// neccessary for getting instance out of shared lib +// necessary for getting instance out of shared lib Plugin * PLUGIN_EXPORT lmms_plugin_main( Model *, void * _data ) { diff --git a/plugins/zynaddsubfx/fltk/src/xutf8/utf8Wrap.c b/plugins/zynaddsubfx/fltk/src/xutf8/utf8Wrap.c index 4961ac0f4..8e513e767 100644 --- a/plugins/zynaddsubfx/fltk/src/xutf8/utf8Wrap.c +++ b/plugins/zynaddsubfx/fltk/src/xutf8/utf8Wrap.c @@ -284,7 +284,7 @@ load_fonts(Display *dpy, } /*********************************************************************/ -/** Creates an array of XFontStruct acording to the comma separated **/ +/** Creates an array of XFontStruct according to the comma separated **/ /** list of fonts. XLoad all fonts. **/ /*********************************************************************/ XUtf8FontStruct * diff --git a/plugins/zynaddsubfx/src/Params/LFOParams.cpp b/plugins/zynaddsubfx/src/Params/LFOParams.cpp index 3cfc37fc8..fe993ed93 100644 --- a/plugins/zynaddsubfx/src/Params/LFOParams.cpp +++ b/plugins/zynaddsubfx/src/Params/LFOParams.cpp @@ -33,7 +33,7 @@ LFOParams::LFOParams(char Pfreq_, char PLFOtype_, char Prandomness_, char Pdelay_, - char Pcontinous_, + char Pcontinuous_, char fel_):Presets() { switch(fel_) { @@ -53,7 +53,7 @@ LFOParams::LFOParams(char Pfreq_, DLFOtype = PLFOtype_; Drandomness = Prandomness_; Ddelay = Pdelay_; - Dcontinous = Pcontinous_; + Dcontinuous = Pcontinuous_; fel = fel_; time = 0; @@ -71,7 +71,7 @@ void LFOParams::defaults() PLFOtype = DLFOtype; Prandomness = Drandomness; Pdelay = Ddelay; - Pcontinous = Dcontinous; + Pcontinuous = Dcontinuous; Pfreqrand = 0; Pstretch = 64; } @@ -87,7 +87,7 @@ void LFOParams::add2XML(XMLwrapper *xml) xml->addpar("randomness_frequency", Pfreqrand); xml->addpar("delay", Pdelay); xml->addpar("stretch", Pstretch); - xml->addparbool("continous", Pcontinous); + xml->addparbool("continuous", Pcontinuous); } void LFOParams::getfromXML(XMLwrapper *xml) @@ -100,6 +100,6 @@ void LFOParams::getfromXML(XMLwrapper *xml) Pfreqrand = xml->getpar127("randomness_frequency", Pfreqrand); Pdelay = xml->getpar127("delay", Pdelay); Pstretch = xml->getpar127("stretch", Pstretch); - Pcontinous = xml->getparbool("continous", Pcontinous); + Pcontinuous = xml->getparbool("continuous", Pcontinuous); } diff --git a/plugins/zynaddsubfx/src/Params/LFOParams.h b/plugins/zynaddsubfx/src/Params/LFOParams.h index 6a7dcd915..b1b99eecd 100644 --- a/plugins/zynaddsubfx/src/Params/LFOParams.h +++ b/plugins/zynaddsubfx/src/Params/LFOParams.h @@ -35,7 +35,7 @@ class LFOParams:public Presets char PLFOtype_, char Prandomness_, char Pdelay_, - char Pcontinous, + char Pcontinuous, char fel_); ~LFOParams(); @@ -52,11 +52,11 @@ class LFOParams:public Presets unsigned char Prandomness; /**me = NULL; diff --git a/plugins/zynaddsubfx/src/Synth/LFO.cpp b/plugins/zynaddsubfx/src/Synth/LFO.cpp index a7d00232b..7b665852f 100644 --- a/plugins/zynaddsubfx/src/Synth/LFO.cpp +++ b/plugins/zynaddsubfx/src/Synth/LFO.cpp @@ -38,7 +38,7 @@ LFO::LFO(LFOParams *lfopars, REALTYPE basefreq) (pow(2, lfopars->Pfreq * 10.0) - 1.0) / 12.0 * lfostretch; incx = fabs(lfofreq) * (REALTYPE)SOUND_BUFFER_SIZE / (REALTYPE)SAMPLE_RATE; - if(lfopars->Pcontinous == 0) { + if(lfopars->Pcontinuous == 0) { if(lfopars->Pstartphase == 0) x = RND; else diff --git a/plugins/zynaddsubfx/src/UI/ADnoteUI.cc b/plugins/zynaddsubfx/src/UI/ADnoteUI.cc index 9d3ca6caf..854a88f1b 100644 --- a/plugins/zynaddsubfx/src/UI/ADnoteUI.cc +++ b/plugins/zynaddsubfx/src/UI/ADnoteUI.cc @@ -1050,7 +1050,7 @@ Fl_Group* ADvoiceUI::make_window() { o->value(pars->VoicePar[nvoice].Pfixedfreq); } // Fl_Check_Button* o { WidgetPDial* o = fixedfreqetdial = new WidgetPDial(405, 255, 15, 15, "Eq.T."); - fixedfreqetdial->tooltip("How the frequency varies acording to the keyboard (leftmost for fixed frequen\ + fixedfreqetdial->tooltip("How the frequency varies according to the keyboard (leftmost for fixed frequen\ cy)"); fixedfreqetdial->box(FL_ROUND_UP_BOX); fixedfreqetdial->color(FL_BACKGROUND_COLOR); diff --git a/plugins/zynaddsubfx/src/UI/ADnoteUI.fl b/plugins/zynaddsubfx/src/UI/ADnoteUI.fl index 748156c74..dc5e6adc6 100644 --- a/plugins/zynaddsubfx/src/UI/ADnoteUI.fl +++ b/plugins/zynaddsubfx/src/UI/ADnoteUI.fl @@ -481,7 +481,7 @@ if (x==0) fixedfreqetdial->deactivate(); Fl_Dial fixedfreqetdial { label {Eq.T.} callback {pars->VoicePar[nvoice].PfixedfreqET=(int) o->value();} - tooltip {How the frequency varies acording to the keyboard (leftmost for fixed frequency)} xywh {405 255 15 15} box ROUND_UP_BOX labelsize 10 align 8 maximum 127 step 1 + tooltip {How the frequency varies according to the keyboard (leftmost for fixed frequency)} xywh {405 255 15 15} box ROUND_UP_BOX labelsize 10 align 8 maximum 127 step 1 code0 {o->value(pars->VoicePar[nvoice].PfixedfreqET);} code1 {if (pars->VoicePar[nvoice].Pfixedfreq==0) o->deactivate();} class WidgetPDial diff --git a/plugins/zynaddsubfx/src/UI/LFOUI.cc b/plugins/zynaddsubfx/src/UI/LFOUI.cc index af6c1f189..57cdc956a 100644 --- a/plugins/zynaddsubfx/src/UI/LFOUI.cc +++ b/plugins/zynaddsubfx/src/UI/LFOUI.cc @@ -57,11 +57,11 @@ Fl_Menu_Item LFOUI::menu_LFOtype[] = { {0,0,0,0,0,0,0,0,0} }; -void LFOUI::cb_continous_i(Fl_Check_Button* o, void*) { - pars->Pcontinous=(int)o->value(); +void LFOUI::cb_continuous_i(Fl_Check_Button* o, void*) { + pars->Pcontinuous=(int)o->value(); } -void LFOUI::cb_continous(Fl_Check_Button* o, void* v) { - ((LFOUI*)(o->parent()->parent()->user_data()))->cb_continous_i(o,v); +void LFOUI::cb_continuous(Fl_Check_Button* o, void* v) { + ((LFOUI*)(o->parent()->parent()->user_data()))->cb_continuous_i(o,v); } void LFOUI::cb_freqrand_i(WidgetPDial* o, void*) { @@ -203,13 +203,13 @@ Fl_Group* LFOUI::make_window() { LFOtype->align(Fl_Align(FL_ALIGN_BOTTOM)); LFOtype->menu(menu_LFOtype); } // Fl_Choice* LFOtype - { continous = new Fl_Check_Button(165, 35, 15, 15, "C."); - continous->tooltip("Continous LFO"); - continous->down_box(FL_DOWN_BOX); - continous->labelsize(10); - continous->callback((Fl_Callback*)cb_continous); - continous->align(Fl_Align(FL_ALIGN_BOTTOM)); - } // Fl_Check_Button* continous + { continuous = new Fl_Check_Button(165, 35, 15, 15, "C."); + continuous->tooltip("Continuous LFO"); + continuous->down_box(FL_DOWN_BOX); + continuous->labelsize(10); + continuous->callback((Fl_Callback*)cb_continuous); + continuous->align(Fl_Align(FL_ALIGN_BOTTOM)); + } // Fl_Check_Button* continuous { freqrand = new WidgetPDial(205, 7, 20, 20, "F.R."); freqrand->tooltip("LFO Frequency Randomness"); freqrand->box(FL_ROUND_UP_BOX); @@ -268,7 +268,7 @@ void LFOUI::refresh() { intensity->value(pars->Pintensity); startphase->value(pars->Pstartphase); delay->value(pars->Pdelay); -continous->value(pars->Pcontinous); +continuous->value(pars->Pcontinuous); stretch->value(pars->Pstretch); randomness->value(pars->Prandomness); freqrand->value(pars->Pfreqrand); diff --git a/plugins/zynaddsubfx/src/UI/LFOUI.fl b/plugins/zynaddsubfx/src/UI/LFOUI.fl index ca0433a2d..d5fcc2eba 100644 --- a/plugins/zynaddsubfx/src/UI/LFOUI.fl +++ b/plugins/zynaddsubfx/src/UI/LFOUI.fl @@ -119,10 +119,10 @@ hide(); xywh {70 70 100 20} labelfont 1 labelsize 10 } } - Fl_Check_Button continous { + Fl_Check_Button continuous { label {C.} - callback {pars->Pcontinous=(int)o->value();} - tooltip {Continous LFO} xywh {165 35 15 15} down_box DOWN_BOX labelsize 10 align 2 + callback {pars->Pcontinuous=(int)o->value();} + tooltip {Continuous LFO} xywh {165 35 15 15} down_box DOWN_BOX labelsize 10 align 2 } Fl_Dial freqrand { label {F.R.} @@ -154,7 +154,7 @@ hide(); intensity->value(pars->Pintensity); startphase->value(pars->Pstartphase); delay->value(pars->Pdelay); -continous->value(pars->Pcontinous); +continuous->value(pars->Pcontinuous); stretch->value(pars->Pstretch); randomness->value(pars->Prandomness); freqrand->value(pars->Pfreqrand); diff --git a/plugins/zynaddsubfx/src/UI/LFOUI.h b/plugins/zynaddsubfx/src/UI/LFOUI.h index 6959fe3f3..f05c0bde2 100644 --- a/plugins/zynaddsubfx/src/UI/LFOUI.h +++ b/plugins/zynaddsubfx/src/UI/LFOUI.h @@ -56,10 +56,10 @@ private: static void cb_LFOtype(Fl_Choice*, void*); static Fl_Menu_Item menu_LFOtype[]; public: - Fl_Check_Button *continous; + Fl_Check_Button *continuous; private: - void cb_continous_i(Fl_Check_Button*, void*); - static void cb_continous(Fl_Check_Button*, void*); + void cb_continuous_i(Fl_Check_Button*, void*); + static void cb_continuous(Fl_Check_Button*, void*); public: WidgetPDial *freqrand; private: diff --git a/plugins/zynaddsubfx/src/UI/PADnoteUI.cc b/plugins/zynaddsubfx/src/UI/PADnoteUI.cc index 0478e4cb1..86ab5fa78 100644 --- a/plugins/zynaddsubfx/src/UI/PADnoteUI.cc +++ b/plugins/zynaddsubfx/src/UI/PADnoteUI.cc @@ -516,7 +516,7 @@ void PADnoteUI::cb_spectrummode(Fl_Choice* o, void* v) { Fl_Menu_Item PADnoteUI::menu_spectrummode[] = { {"Bandwidth", 0, 0, 0, 0, FL_NORMAL_LABEL, 1, 11, 0}, {"Discrete", 0, 0, 0, 0, FL_NORMAL_LABEL, 1, 11, 0}, - {"Continous", 0, 0, 0, 0, FL_NORMAL_LABEL, 1, 11, 0}, + {"Continuous", 0, 0, 0, 0, FL_NORMAL_LABEL, 1, 11, 0}, {0,0,0,0,0,0,0,0,0} }; @@ -1149,7 +1149,7 @@ Fl_Double_Window* PADnoteUI::make_window() { o->value(pars->Pfixedfreq); } // Fl_Check_Button* hz440 { WidgetPDial* o = fixedfreqetdial = new WidgetPDial(420, 295, 15, 15, "Eq.T."); - fixedfreqetdial->tooltip("How the frequency varies acording to the keyboard (leftmost for fixed frequen\ + fixedfreqetdial->tooltip("How the frequency varies according to the keyboard (leftmost for fixed frequen\ cy)"); fixedfreqetdial->box(FL_ROUND_UP_BOX); fixedfreqetdial->color(FL_BACKGROUND_COLOR); diff --git a/plugins/zynaddsubfx/src/UI/PADnoteUI.fl b/plugins/zynaddsubfx/src/UI/PADnoteUI.fl index 74441c199..3f03dc0ea 100644 --- a/plugins/zynaddsubfx/src/UI/PADnoteUI.fl +++ b/plugins/zynaddsubfx/src/UI/PADnoteUI.fl @@ -762,7 +762,7 @@ cbwidget->do_callback();} xywh {125 125 100 20} labelfont 1 labelsize 11 } MenuItem {} { - label Continous + label Continuous xywh {115 115 100 20} labelfont 1 labelsize 11 } } @@ -842,7 +842,7 @@ if (x==0) fixedfreqetdial->deactivate(); Fl_Dial fixedfreqetdial { label {Eq.T.} callback {pars->PfixedfreqET=(int) o->value();} - tooltip {How the frequency varies acording to the keyboard (leftmost for fixed frequency)} xywh {420 295 15 15} box ROUND_UP_BOX labelsize 10 align 8 maximum 127 step 1 + tooltip {How the frequency varies according to the keyboard (leftmost for fixed frequency)} xywh {420 295 15 15} box ROUND_UP_BOX labelsize 10 align 8 maximum 127 step 1 code0 {o->value(pars->PfixedfreqET);} code1 {if (pars->Pfixedfreq==0) o->deactivate();} class WidgetPDial diff --git a/plugins/zynaddsubfx/src/UI/SUBnoteUI.cc b/plugins/zynaddsubfx/src/UI/SUBnoteUI.cc index c00c374c4..a28f8d9a1 100644 --- a/plugins/zynaddsubfx/src/UI/SUBnoteUI.cc +++ b/plugins/zynaddsubfx/src/UI/SUBnoteUI.cc @@ -513,7 +513,7 @@ Fl_Double_Window* SUBnoteUI::make_window() { o->value(pars->Pfixedfreq); } // Fl_Check_Button* hz440 { WidgetPDial* o = fixedfreqetdial = new WidgetPDial(610, 45, 15, 15, "Eq.T."); - fixedfreqetdial->tooltip("How the frequency varies acording to the keyboard (leftmost for fixed frequen\ + fixedfreqetdial->tooltip("How the frequency varies according to the keyboard (leftmost for fixed frequen\ cy)"); fixedfreqetdial->box(FL_ROUND_UP_BOX); fixedfreqetdial->color(FL_BACKGROUND_COLOR); diff --git a/plugins/zynaddsubfx/src/UI/SUBnoteUI.fl b/plugins/zynaddsubfx/src/UI/SUBnoteUI.fl index ef50a0bb9..d7406d475 100644 --- a/plugins/zynaddsubfx/src/UI/SUBnoteUI.fl +++ b/plugins/zynaddsubfx/src/UI/SUBnoteUI.fl @@ -276,7 +276,7 @@ if (x==0) fixedfreqetdial->deactivate(); Fl_Dial fixedfreqetdial { label {Eq.T.} callback {pars->PfixedfreqET=(int) o->value();} - tooltip {How the frequency varies acording to the keyboard (leftmost for fixed frequency)} xywh {610 45 15 15} box ROUND_UP_BOX labelsize 10 align 8 maximum 127 step 1 + tooltip {How the frequency varies according to the keyboard (leftmost for fixed frequency)} xywh {610 45 15 15} box ROUND_UP_BOX labelsize 10 align 8 maximum 127 step 1 code0 {o->value(pars->PfixedfreqET);} code1 {if (pars->Pfixedfreq==0) o->deactivate();} class WidgetPDial diff --git a/src/core/AutomatableModel.cpp b/src/core/AutomatableModel.cpp index 2864f266c..26d2e91bd 100644 --- a/src/core/AutomatableModel.cpp +++ b/src/core/AutomatableModel.cpp @@ -145,7 +145,7 @@ void AutomatableModel::loadSettings( const QDomElement & _this, p->loadSettings( node.toElement() ); setValue( p->valueAt( 0 ) ); // in older projects we sometimes have odd automations - // with just one value in - eliminate if neccessary + // with just one value in - eliminate if necessary if( !p->hasAutomation() ) { delete p; diff --git a/src/core/Mixer.cpp b/src/core/Mixer.cpp index 09d365050..5e4c26ab1 100644 --- a/src/core/Mixer.cpp +++ b/src/core/Mixer.cpp @@ -393,7 +393,7 @@ sampleFrameA * Mixer::renderNextBuffer() -// removes all play-handles. this is neccessary, when the song is stopped -> +// removes all play-handles. this is necessary, when the song is stopped -> // all remaining notes etc. would be played until their end void Mixer::clear() { diff --git a/src/core/midi/MidiClient.cpp b/src/core/midi/MidiClient.cpp index 0863be226..2572d78da 100644 --- a/src/core/midi/MidiClient.cpp +++ b/src/core/midi/MidiClient.cpp @@ -265,7 +265,7 @@ void MidiClientRaw::processOutEvent( const midiEvent & _me, const midiTime & , const MidiPort * _port ) { - // TODO: also evaluate _time and queue event if neccessary + // TODO: also evaluate _time and queue event if necessary switch( _me.m_type ) { case MidiNoteOn: diff --git a/src/core/song.cpp b/src/core/song.cpp index 9b421a052..d8f1568ac 100644 --- a/src/core/song.cpp +++ b/src/core/song.cpp @@ -339,7 +339,7 @@ void song::processNextBuffer() return; } - // check for looping-mode and act if neccessary + // check for looping-mode and act if necessary timeLine * tl = m_playPos[m_playMode].m_timeLine; bool check_loop = tl != NULL && m_exporting == false && tl->loopPointsEnabled() && diff --git a/src/core/track.cpp b/src/core/track.cpp index 6fd741662..1aa9e6097 100644 --- a/src/core/track.cpp +++ b/src/core/track.cpp @@ -1,5 +1,5 @@ /* - * track.cpp - implementation of classes concerning tracks -> neccessary for + * track.cpp - implementation of classes concerning tracks -> necessary for * all track-like objects (beat/bassline, sample-track...) * * Copyright (c) 2004-2009 Tobias Doerffel diff --git a/src/gui/automation_editor.cpp b/src/gui/automation_editor.cpp index 87f0111af..95eb31324 100644 --- a/src/gui/automation_editor.cpp +++ b/src/gui/automation_editor.cpp @@ -223,7 +223,7 @@ automationEditor::automationEditor() : "'Shift+E' on your keyboard to activate this mode." ) ); m_selectButton->setWhatsThis( tr( "Click here and select-mode will be activated. In this " - "mode you can select values. This is neccessary " + "mode you can select values. This is necessary " "if you want to cut, copy, paste, delete, or move " "values. You can also press 'Shift+S' on your keyboard " "to activate this mode." ) ); diff --git a/src/gui/widgets/InstrumentSoundShapingView.cpp b/src/gui/widgets/InstrumentSoundShapingView.cpp index 298094249..bb8c14b1e 100644 --- a/src/gui/widgets/InstrumentSoundShapingView.cpp +++ b/src/gui/widgets/InstrumentSoundShapingView.cpp @@ -58,7 +58,7 @@ InstrumentSoundShapingView::InstrumentSoundShapingView( QWidget * _parent ) : m_targetsTabWidget->setWhatsThis( tr( "These tabs contain envelopes. They're very important for " "modifying a sound, in that they are almost " - "always neccessary for substractive synthesis. For " + "always necessary for substractive synthesis. For " "example if you have a volume envelope, you can set " "when the sound should have a specific volume. " "If you want to create some soft strings then your "